"Implicit Movies" brings together two programs of contemporary experimental works that dig beneath the surface of films to the secret worlds within them. The films chart a range of approaches, with documentary observation, animated and chemically reprocessed films, found footage, and dreamlike forays though public space. Titles include The Color of Love (Peggy Ahwesh, 1994), Masstransiscope (Bill Brand, 1980/2020), We Are Going to Record (Peter Snowdon and Juan Javier Rivera Andía, 2013) Disintegration 93-96 (Miko Revereza, 2017), Audition (Karen Yasinsky, 2013),The Dragon Is the Frame (Mary Helena Clark, 2014) and more.

Full program here.